Hello,
I commented on another post in this thread, on trouble shooting / finding the treble distortion.
There are pros and cons, active and passive.
I will discuss crossovers from "my" perspective, which is " theoretically " to obtain the highest possible fidelity. So friends, this is written only IMHO :
(1) Avoid active. It adds an un-necessary line stage to the audio electronics. It, like a passive, also uses caps, etc to get the roll off in that line stage. Why add an un needed stage??? KISS rules.
A second problem is that when biamping IDEALLY, one should use two amps of exactly the same design, on the top and bottom, hopefully a zero feedback design to keep the music intact. MOST all active biampers I see do not do this and there is an audible discontinuity between differing amps IF the system is executed at the highest level. .
(2) Optimize the passive crossover. Optimize every aspect of feeding a signal to the A7, from the amp to crossover, system wiring, the crossover itself, pick a frequency, and use GOOD parts, and optimize it.
Then use a single highest-possible-quality no-negative feed back mono amplifier on each channel, to run the whole shebang.
- - - - - - - - - - - - - - - - - - - -
This is ONLY my opinion, but optimized passive is how I would suggest one do it for the best possible " ultra fi" result.
BTW, a very conservative alternative to internal bracing is mass loading, its very inexpensive, its totally reversible - which keeps the enclosure original, and has benefits bracing alone does not provide. YMMV, yada yada.
Have fun. There are lots of people who will want to assist you, and opinions differ.
Low Ohms.....Jeff Medwin ( A7-800 VOTTs, 515B, 802D )
Bookmarks